ENOUGH! I'm About to Read Some of You for FILTH.

The episode begins with a lengthy, unsettling audio piece [0:35–5:14] depicting a disturbing sitcom reality—a world where television sets become supernatural doors, audiences scream behind walls, and boundaries between viewer and watched blur. At ▶ 5:40, Psyche enters visibly composed but notes he had been irritated earlier. Beginning around ▶ 6:11, he addresses the core conflict: he states his willingness to 'read for filth' certain community members, distinguishing between 'cool people,' 'chatters,' and 'trolls.' At [12:00–12:31], Psyche recounts appearing on a Money420s panel where he was the only participant with his camera on, with nine others present but offline. Around [12:23–12:52], he details an 'extortion' accusation involving Brandon, who allegedly demanded $1,000 for an internship (versus ~$300) and later misrepresented Psyche as paying him $2,000—a claim Psyche explicitly did not authorize. At [13:00–13:17], Psyche criticizes someone ('chat room granny') for invoking his father's death and what his father 'didn't leave him' as ammunition in conflict. At [13:22–14:02], he establishes personal boundaries: no legal-name accusations without evidence, no mention of family members, and condemns those bringing up relatives 'all the time.' He characterizes the energy of those attacking him as operating under similar, destructive influence.

This episode appears to represent a turning point where Psyche moves from maintaining community harmony to articulating explicit frustration with what he perceives as coordinated or pattern-based hostile behavior. The distinction he draws between different 'types' of participants suggests he is attempting to categorize his audience and community while recognizing that some subset operates with what he frames as shared negative intent. His repeated invocation of boundaries—particularly around family and defamation—suggests ongoing pattern-recognition regarding attack strategy; he appears to interpret these attacks not as isolated incidents but as expressions of a consistent, almost coordinated dynamic. The opening audio piece, while thematically separate, may function as thematic scaffolding: a meditation on how mediated spaces (like livestream chat) can distort reality, blur boundaries, and create environments where normal social rules no longer apply. Psyche's tone suggests fatigue with being perceived as 'the problem' when enforcing his own standards, implying he sees himself as held to a different standard than others in his community.