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This episode explores the concept of the God of Love across different mythologies, focusing on Kamadeva from the Indian mythic world. Host Trix delves into the story of Kamadeva and his role in awakening Shiva from deep meditation.
Original TransmissionsWho is the god of love? Most people
Who is the god of love? Most people
think of OS or Cupid, that chubby little
think of OS or Cupid, that chubby little
guy with a bow and arrow causing all
guy with a bow and arrow causing all
sorts of mischief. But in the Indian
sorts of mischief. But in the Indian
mythic world, the love god is Kamadeva.
mythic world, the love god is Kamadeva.
And he's got a very different vibe. He's
And he's got a very different vibe. He's
not just about lust. He's the entire
not just about lust. He's the entire
spectrum of attraction. Longing, charm,
spectrum of attraction. Longing, charm,
courtship, imagination. He's that moment
courtship, imagination. He's that moment
you get inspired and you don't even know
you get inspired and you don't even know
why. The moment someone's laugh
why. The moment someone's laugh
completely rearranges your whole day.
completely rearranges your whole day.
His look, his whole iconography
His look, his whole iconography
is wild in the best possible way. His
is wild in the best possible way. His
bow isn't made of wood. It's made of
bow isn't made of wood. It's made of
sugar cane. Because desire doesn't
sugar cane. Because desire doesn't
conquer with iron, it conquers with
conquer with iron, it conquers with
sweetness. His arrows aren't tipped with
sweetness. His arrows aren't tipped with
flint. They're tipped with flowers.
flint. They're tipped with flowers.
Because longing doesn't stab you, it
Because longing doesn't stab you, it
perfumes you. Sometimes he rides a
perfumes you. Sometimes he rides a
parrot. Think about that. Desire as
parrot. Think about that. Desire as
gossip. Desire as vibrant color. Desire
gossip. Desire as vibrant color. Desire
as saying exactly what you mean. He's
as saying exactly what you mean. He's
deeply connected to springtime when
deeply connected to springtime when
everything starts blooming and suddenly
everything starts blooming and suddenly
the world feels unbearable with
the world feels unbearable with
possibility. And right beside him is his
possibility. And right beside him is his
wife Rati who is the spirit of passion
wife Rati who is the spirit of passion
and delight. She's the warmth of love,
and delight. She's the warmth of love,
the texture of it. But here's the twist.
the texture of it. But here's the twist.
Kamadeva's most famous story isn't about
Kamadeva's most famous story isn't about
getting to people together. It's s about
getting to people together. It's s about
what happens when desire tries to wake
what happens when desire tries to wake
up a god who has completely sworn off
up a god who has completely sworn off
the world. So let's zoom out. The
the world. So let's zoom out. The
universe is facing a cosmic crisis.
universe is facing a cosmic crisis.
Balance is off and a critical destiny
Balance is off and a critical destiny
can't unfold unless shiva great ascent
can't unfold unless shiva great ascent
the powerhouse of stillness returns to
the powerhouse of stillness returns to
active engagement with life. But Shiva
active engagement with life. But Shiva
is deep in meditation. We're talking
is deep in meditation. We're talking
total withdrawal. The universe could
total withdrawal. The universe could
throw a parade right in front of him and
throw a parade right in front of him and
he wouldn't even blink. The other gods
he wouldn't even blink. The other gods
are starting to panic because the cosmos
are starting to panic because the cosmos
can't run on stillness alone. It needs
can't run on stillness alone. It needs
creation. It needs motion. It needs
creation. It needs motion. It needs
relationship. It needs a pulse. So they
relationship. It needs a pulse. So they
decide to do something incredibly risky.
decide to do something incredibly risky.
They call kamadea. Imagine being
They call kamadea. Imagine being
Kamadeva and getting that call. Hey, so
Kamadeva and getting that call. Hey, so
we need you to do us a little favor. We
we need you to do us a little favor. We
need you to aim your flower arrows
need you to aim your flower arrows
at Shiva. That is like being asked to go
at Shiva. That is like being asked to go
prank a volcano.
prank a volcano.
It's a suicide mission. But Kamadeva
It's a suicide mission. But Kamadeva
understands his job. He doesn't see it
understands his job. He doesn't see it
as mischief. He sees it as a cosmic
as mischief. He sees it as a cosmic
necessity. In this worldview, desire
necessity. In this worldview, desire
isn't a weakness.
isn't a weakness.
It's a fundamental function of the
It's a fundamental function of the
universe. So, Kamadeva understanding the
universe. So, Kamadeva understanding the
stakes says yes. Kamadeva arrives where
stakes says yes. Kamadeva arrives where
Shiva is meditating. The scene is
Shiva is meditating. The scene is
silent, intense. Shiva is sealed inside
silent, intense. Shiva is sealed inside
himself like a locked temple and nearby
himself like a locked temple and nearby
is the goddess Parvity whose devotion to
is the goddess Parvity whose devotion to
Shiva is steady, fierce and patient. She
Shiva is steady, fierce and patient. She
isn't trying to seduce Shiva in some
isn't trying to seduce Shiva in some
cheap superficial way. She is embodying
cheap superficial way. She is embodying
pure devotion, presence and immense
pure devotion, presence and immense
spiritual power. Comediva's job is just
spiritual power. Comediva's job is just
to create that final spark. Just enough
to create that final spark. Just enough
of a nudge for Shiva to notice life
of a nudge for Shiva to notice life
again to notice her. So Kama draws his
again to notice her. So Kama draws his
sugar cane bow. He selects the perfect
sugar cane bow. He selects the perfect
arrow, the flower tipped one that
arrow, the flower tipped one that
carries longing, recognition, and the
carries longing, recognition, and the
sudden sweet memory of love. And he
sudden sweet memory of love. And he
shoots, "This is one of the most
shoots, "This is one of the most
important symbolic moments in the entire
important symbolic moments in the entire
mythic tradition.
mythic tradition.
Its desire daring to touch the absolute.
Its desire daring to touch the absolute.
It's a statement that says even the
It's a statement that says even the
highest stillness must eventually meet
highest stillness must eventually meet
life. And for a split second it works.
life. And for a split second it works.
Shiva stirs. The world holds its breath.
Shiva stirs. The world holds its breath.
But Shiva isn't just meditating like you
But Shiva isn't just meditating like you
or I might. He's in a state of immense
or I might. He's in a state of immense
worldaltering concentration. The inner
worldaltering concentration. The inner
force he's containing is so intense that
force he's containing is so intense that
an interruption isn't just annoying.
an interruption isn't just annoying.
It's a cosmic violation. He opens his
It's a cosmic violation. He opens his
third eye, the inner eye of direct
third eye, the inner eye of direct
perception, the eye that burns through
perception, the eye that burns through
all illusion. And in that instant,
all illusion. And in that instant,
Kamadiva is struck by its force. In many
Kamadiva is struck by its force. In many
versions of the story, Kama is reduced
versions of the story, Kama is reduced
to ash. his physical form is completely
to ash. his physical form is completely
erased. This isn't some petty act of
erased. This isn't some petty act of
revenge.
revenge.
It's a cosmic consequence. Aiming desire
It's a cosmic consequence. Aiming desire
at the absolute is powerful. Yes, but
at the absolute is powerful. Yes, but
it's also incredibly dangerous. And in
it's also incredibly dangerous. And in
that moment, kamadeva becomes ana, which
that moment, kamadeva becomes ana, which
means the bodyless one. Let that sink in
means the bodyless one. Let that sink in
for a moment. Desire doesn't die. it
for a moment. Desire doesn't die. it
just loses its visible body. This is one
just loses its visible body. This is one
of the most psychologically true things
of the most psychologically true things
ever written in a myth because you can
ever written in a myth because you can
try to defeat desire socially. You can
try to defeat desire socially. You can
suppress it, shame it, exile it, but it
suppress it, shame it, exile it, but it
always comes back, doesn't it? It comes
always comes back, doesn't it? It comes
back as a mood, as an obsession, as a
back as a mood, as an obsession, as a
projection, as a longing that you can't
projection, as a longing that you can't
even put a name to. Comma becomes
even put a name to. Comma becomes
invisible. But he is far from gone. Now
invisible. But he is far from gone. Now
Rody, his wife, does what real love does
Rody, his wife, does what real love does
when it's faced with loss.
when it's faced with loss.
She grieavves. She weeps.
She grieavves. She weeps.
She prays. She demands that this
She prays. She demands that this
sacrifice have meaning. Her grief is so
sacrifice have meaning. Her grief is so
powerful that the gods realize their
powerful that the gods realize their
mistake. They used Kameda like a tool.
mistake. They used Kameda like a tool.
And now they see the deeply personal
And now they see the deeply personal
cost. A negotiation begins. In many
cost. A negotiation begins. In many
versions, Shiva isn't portrayed as cruel
versions, Shiva isn't portrayed as cruel
here. He is simply embodying cosmic law.
here. He is simply embodying cosmic law.
But once the necessary awakening has
But once the necessary awakening has
occurred, once Shiva's own path toward
occurred, once Shiva's own path toward
union with poverty is set in motion,
union with poverty is set in motion,
there is room for mercy. Kamadva is
there is room for mercy. Kamadva is
granted a return but in a new form.
granted a return but in a new form.
Sometimes he's reborn later. Sometimes
Sometimes he's reborn later. Sometimes
he's restored as a force in the world,
he's restored as a force in the world,
but he is forever changed. He's no
but he is forever changed. He's no
longer just the cute cupid of the
longer just the cute cupid of the
pantheon. He's the god who proved that
pantheon. He's the god who proved that
desire can touch the divine and survive
desire can touch the divine and survive
even if it has to become invisible to do
even if it has to become invisible to do
so. So why does this story matter so
so. So why does this story matter so
much? This myth isn't saying desire is
much? This myth isn't saying desire is
bad. Not at all. It's saying that desire
bad. Not at all. It's saying that desire
is incredibly powerful. You have to
is incredibly powerful. You have to
handle it like fire. If you aim your
handle it like fire. If you aim your
desire at something sacred, you can
desire at something sacred, you can
absolutely awaken it. But you can also
absolutely awaken it. But you can also
get burned if you treat that sacredness
get burned if you treat that sacredness
like a toy. It's also saying something
like a toy. It's also saying something
very adult, very profound.
very adult, very profound.
Sometimes
Sometimes
individual desire must be sacrificed for
individual desire must be sacrificed for
a larger, more cosmic union to happen.
a larger, more cosmic union to happen.
Kamadeva is loss is what clears the way
Kamadeva is loss is what clears the way
for Shiva and Parvity consciousness and
for Shiva and Parvity consciousness and
part two finally unite. And from their
part two finally unite. And from their
union comes protection, order, and a new
union comes protection, order, and a new
cosmic balance. In a way, Kama is the
cosmic balance. In a way, Kama is the
martyr of intimacy. He's the god who
martyr of intimacy. He's the god who
took the hit so that the entire universe
took the hit so that the entire universe
could move forward. And it gets even
could move forward. And it gets even
deeper when Kama becomes bodyless.
deeper when Kama becomes bodyless.
Ananga, he also becomes omniresent. You
Ananga, he also becomes omniresent. You
can't point to him and say, "There he
can't point to him and say, "There he
is." But you can feel him. You feel him
is." But you can feel him. You feel him
in the spring air. You hear him in a
in the spring air. You hear him in a
piece of music. You find him in a sudden
piece of music. You find him in a sudden
memory. You feel him in that
memory. You feel him in that
inexplicable urge to text someone you
inexplicable urge to text someone you
swear you're over. That's ana energy.
swear you're over. That's ana energy.
The love god didn't die. He just went
The love god didn't die. He just went
undercover, embedding himself into the
undercover, embedding himself into the
very fabric of our lives. He's the ghost
very fabric of our lives. He's the ghost
in the machine of love, forever
in the machine of love, forever
reminding us that what is essential is
reminding us that what is essential is
invisible to the eye. Thanks so much for
invisible to the eye. Thanks so much for
watching. If you enjoyed this journey
watching. If you enjoyed this journey
into mythology, don't forget to like,
into mythology, don't forget to like,
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world. See you next time.
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