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Psyche opens with an experimental spoken-word/music piece before welcoming a guest named Mike for a casual Friday midnight conversation that devolves into discussion of 9/11 conspiracy theories, geopolitical debt, and broader claims about government control and media manipulation.
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Observers see the surface.
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Browse era →Summary
The episode begins at ▶ 0:02 with an atmospheric intro sequence featuring spoken-word poetry and music production by Psyche, exploring themes of shadow, identity, and self-determination through ▶ 3:12. At ▶ 3:12, Psyche greets his guest Mike, who joins via audio connection. After initial technical difficulties with Mike's microphone levels around ▶ 3:22–▶ 3:35, the two establish rapport. Around ▶ 4:10, Psyche asks what Mike is doing, and Mike responds he's having a harder lemonade at midnight. At ▶ 4:18, Psyche mentions meeting Mike previously on other platforms (Sammans or Beatas). From approximately ▶ 5:00 onward, the conversation shifts to 9/11, which Psyche notes is the current date (September 11). Mike reveals at ▶ 5:17 that he knew two people who died in 9/11, described as jumpers from the towers. At ▶ 6:02–▶ 6:07, Psyche asks whether Mike is intrigued or offended by conspiracy theories surrounding the attacks. The discussion then extends through ▶ 6:15–▶ 7:12, covering claims about financial records destroyed in the buildings, insurance payouts, and alleged Israeli observers. From ▶ 8:00 onward, the conversation broadens into critiques of government, media distraction, and references to figures like Osama bin Laden and Epstein. By ▶ 9:01–▶ 10:07, Mike expresses skepticism about aspects of the Epstein narrative and theorizes about celebrity-CIA connections. At ▶ 10:52, Mike reveals he is from Michigan, prompting Psyche to reference the documentary 'Roger and Me' about Flint's economic decline ▶ 11:01–▶ 11:15.
This episode appears to represent a shift in show format toward unstructured, late-night conversational exploration rather than the structured tarot/mythology deep-dives typical of the Cult of Psyche archive. The opening spoken-word piece, though poetic and thematically coherent about shadow and self-ownership, functions almost as a standalone artistic statement before the casual panel begins. The substantive conversation with Mike suggests Psyche engages openly with guests who express skepticism toward mainstream narratives and governmental institutions—a recurring thread that appears to invite audience participation in questioning established frameworks. The tone is notably informal and unfiltered, with both participants using casual language and testing boundaries verbally. This contrasts with the show's typically esoteric or mythological focus, instead centering on contemporary geopolitical and conspiracy-adjacent discourse. The episode appears to prioritize rapport-building and guest comfort over directed exploration of occult or consciousness-based material.
◈ AI-generated · summarizes on-stream discussion, not verified claims · methodology
Episode 1624 features Psyche hosting an extended open-panel discussion with Mr. Big Pipes and Mike, centered on personal survival stories, group dynamics, and original songs about trauma and isolation.
Host Psyche delivers an original spoken-word poem honoring Alexandra Mayers as the 'Neon Priestess,' weaving themes of spiritual transmission, transcendence, and transformative love through vivid imagery of light, signal, and technological mysticism.
The episode explores the 13th story from the Baital Pachisi, a collection of Hindu folktales, which centers on a king who disguises himself as a thief. The story serves as a mirror reflecting the hidden parts of ourselves and offers lessons on the importance of wisdom and self-reflection.
Psyche explores the 12th story from the Baital Pachchisi mythology, 'The Cup That Held Four Innocences', discussing the human need for blame and the dangers of false accusation. He analyzes the story of a pilgrim's death and the four potential suspects, concluding that none of them are guilty.
This episode of the Cult of Psyche podcast covers the 10th story from the Baital Pachchisi folktale collection, exploring themes of power, control, and fragility. The story revolves around a king, his minister, and three delicate queens, raising questions about the nature of delicacy and the consequences of enforcing virtue through fear.
In this episode, Psyche shares the seventh tale from the Baital Pachisi, where King Vikram must solve a riddle to determine which of four suitors is the best match for a beautiful princess who values beauty, strength, and knowledge. The king's answer is based on the suitors' inherent nature and cast.
Explore the ideas at the heart of this episode
Light the candle. Check the mic.
Before the mask, before the name, the soul was longing dressed as flame. Bring your shadow. Bring receipts. Pull up a throne, but wipe your feet.
Signal first, the metrics last. The veil is thin, the chat moves fast. Come alive. >> Gods don't beg and cats go live. >> Face the dark and ask it why >> you cast the shadow. So say hi. Truth l will then subscribe.
The signal continues.
>> >> You are not shadow, you are the thing casting it. >> >> They lit a candle, asked the dark to name me. The dark said mine and used my
mouth to speak. So I grew the horns to fit the accusation. You want a devil, I'll give you the whole week. Suffer in the stairwell, ember in the marrow. I sign the thing they swore I'd already sign. And the crowd that came to burn me had a thousand faces, one animal, a thousand names, and every mask
was mine. >> Full moon in a parking lot in August. The hair stood up on everything I love. I quit apologizing for THE HUNGER. I QUIT APOLOGIZING. THAT WAS ENOUGH. I'M THE DEMON. I'M the dog.
I'm the cing on the phone. I'm the stitches in the storm. I'm the wings in the porch like war. Feel the m there's another one. Feel that one. I'm a legion of one. Every monster that they swore
they saw was just me and so much more.
Hello. >> Hello, >> Mike. >> Yeah. What's up? Do you hear me? You're like really low. I can barely hear you. >> What? >> Turn up your microphone again. >> I can't hardly hear you, Mike.
>> Hello. >> Yeah, now I hear you. How are you? >> Hey, what's up? How you doing? >> Thanks for coming to the show. Nice to see you. >> Yeah. Hey, what's with this faggot ass AI music and shit? >> Well, I mean, it's like I do utilize it, but I put a lot of my own stuff in there, too. Especially now you can see
like I'm actually in the videos. But yeah, I wrote most I write most of it. Most of them. But um but you you Yeah. I don't know. You don't like it? I don't know. >> What are you up to? >> Um, well, I don't know. It's midnight around here. I'm just having a harder lemonade and I thought I'd come and say hi in the chat. Is this your first time
on the show or not? Like I met you on Sammans, I think. Or were you here before you you were you here before you got really drunk or something and you start started saying terrible things? >> Sammans. >> You never there. >> Maybe beatas on beatas. I don't know. Where did Where did I find you? >> Yeah, I was talking shit on all the panels. What about it? >> No, I'm just saying that's where I saw
you. Why Why are you getting so defensive? >> It's okay. I'm just giving you I'm just busting your balls. Hey. Um but uh >> don't bust my balls. I'm not in the mood for it. >> Okay, I'll put them on my mouth then. You You can teabag me. Go ahead. I don't care. >> Okay. Well, how are you doing? >> I'm okay. I mean, it's like, you know, it's it's what is it? Friday. Fridays
are always good. That's 911 today actually. You know it's 911. >> Yeah. >> Hopefully nothing terrible will happen this year. >> Rest in peace to everybody that died in 911. >> I know two people that >> Yep. >> you knew two people from there. Wow. >> Yes. >> Well, my condolences. I'm sorry. You
know, it's like a tragedy and you know, sounds like a personal connection. Yeah, that was great. >> They jumped. They jumped out. Oh, they're the jumpers. See, I went to the World Trade Center when I was like, let me see, eighth grade. I must have been 96 or something like that. We went inside and I remember just being in that building and I was like, really? >> Yeah. >> Inside, but can't even think like five
years later it' be >> just gone, man. Crazy. >> Yeah, it's crazy. Um I know a lot of people that like jump from the building and they're fucking panced. Well, do you think um like what did you think about like you know do you have there's a lot of conspiracy theories or like you know who planned it or like
clues you can find like the Simpsons and so forth. Do are you are you like offended by that stuff or are you intrigued or what? >> Yeah, there's there's like a lot of conspiracies theories around it. But I I know too that's true. >> Like with uh the Pentagon. >> Yeah. Yeah.
>> What happened with the Pentagon and the World Trade Center? I mean, dude, >> right. >> You know, you know how much in debt we are right now, right? >> We're in debt. Yes. And Saudi Arabia has a lot of oil and stuff like that. So, Right. >> Yes. And what happened with 911
erased a lot of that debt, like the proof the um >> Right. Wasn't it inside the building like like something some stuff got destroyed like the financial records were held inside the building. >> Yes. Yes. The receipts behind all that >> and also the guy that owned it had a big insurance he took out on it the year before or something like that. I
remember that part too. >> Yep. Yep. >> So it was >> Yeah. >> It's a plain opposition. Um, >> you remember like the the guys from like Israel, I think were like cheering or like they were like, you know, parks far kind of like where you could see the building and then they were like people saw them cheering and they look suspicious and it was like, you know,
>> Oh, yeah. there >> You know, and then it's like Osama bin Laden thing. I mean, it's like he's just like, you know, I don't know how much power. Yeah. Paty. Yeah, Paty. Exactly. Well, I like how you think because you're actually you seem like you know some shit because a lot of people would be like, "Oh my god, conspiracy theories." But people don't know there's a lot of conspiracies like that go on
because >> there's some truth behind it though, you know? >> Right. I mean, most people are asleep when it comes to like being aware of what's going on. They're very distracted. >> You got to wake up, you fucking sheeple. We got to wake up and see what's going on in our fucking government and inside of our country. >> It's a lot of bullshit. A lot of bullshit. actually falling behind this
orange motherfucking bitch. >> Yeah. It's like it's like having like the like the father of the Oompa Loompas as the president, you know, it's like wait candy bar come out and stuff, you know, like Yeah, it is ridiculous. I mean, but that's all like, you know, all the people that we see are just basically compromised individuals. There's like the real power all like
hidden behind the scenes. You wouldn't even know. Just like, you know, >> I don't I don't even believe in the epste thing. I think that's a scop too. I think that it's like people are just like being jerked around like when it comes >> Yeah, the Epstein stuff. I mean, I think it is I mean I think it's a scop. Um >> I mean there's there's a lot of truth
behind that but there's also a lot of scops. Yeah, I agree. >> Right. I mean, it's like uh I mean, I have a skepticism about like, you know, 14-year-old girls getting on a plane to go to an island for months at a time without the parents knowing after until months later. I mean, I just think the parents are a little bit more involved nowadays than to like >> Yes.
>> Yeah. like that. Let that something like that happen. It's like I know I know there's stereotypes like oh people just let their kids run run run wild but it's like I mean if like your kids on a plane that you're probably gonna know they're really I mean it's like it's not just gonna be and girls can't keep secrets either. So it's like you know they're going to tell their mom or something about it. Hey mom, I got into this like you know massage business. I'm going to pay $10,000 a day or something like
that. I don't know. It's just not gonna >> Yeah. It's just it's just uh there's nothing for months until after and then all the people start dying and then it's like and then have all these people involved that are just like suspicious. I think a lot of celebrities are like actually like CIA because they have all this access and uh basically they get told all this stuff and treated you
basically go in anywhere and get special treatment. So I think that that'd be aable thing for like the intelligence services to >> be able to take advantage of. So, I mean there's a lot. Yeah. But yeah, you seem like you're awake, but we're literally American people are referred to as cattle by not only like other countries, but our own citizens, too. Um, you know, >> Oh, yeah. >> Some refer to us as that. And it's like
if people really knew what being said about them, they might make up a little bit more, you know. It's like because >> they don't want to prove these people right, you know. A lot of people are kind of dumb, you know, fortunately. And the ones that are smart seems to be like, you know, kind of targeted a little bit and
>> try to shut up. >> Yeah. But uh Yeah. So where where bets are you were you the you don't send me the state, but even like the the region like >> Michigan. >> Michigan. Okay. Well, awesome. >> Michigan. Yeah. So I mean I remember remember like seeing like like not Parad 911. Roger and me. You ever seen Roger and Me or hear of that?
Roger and me is about like you know I guess the Flint, Michigan um how it just went under and uh and how you said the auto world there and stuff like that and all these big dreams and they outsourced all the companies like Chevy and I mean I guess all the car >> Jewish people >> they just >> they drained it. Yeah. >> Yeah.
>> Well, you can Yeah. I mean, you could say I mean, maybe maybe by like coincidence or something like that, you know? They're just like, >> we we are being controlled by a lot of people like like fucking puppet masters. We're on strings right now and we're being controlled left and right. >> Sure. But it's like there's even there's people that are controlled worse. Like
for example, like like successful streamers will get co-opted by like either companies or countries to do propaganda. Um the guy's name um >> Bart Baker, he used to do these parody plenty of videos and stuff. All of a sudden now he's working in China. Um >> Oh yeah. >> And uh >> a lot of the lot of the popular people just get co-opted like that. But that's
that's true in every in the rest of the world in professions too. like brilliant the most brilliant artists will get like co-opted by like a secret society and then all of a sudden their art is like talent is put into like what the society wants out there or said or something like that and so then they get all the best talent and then it's like that's legitimacy for them too. So
>> yeah, it's a dirty game. It's a dirty game, you know. I just gota like I'm independent. I like, you know, I'm for freedom. I like I think we're in an okay position with like some rights, some of our rights, but I think a lot of rights are just like, you know, laughed about like not even cherished by the people. People are begging to have them taken away actually for safety. And it's like
we're already safe. We our safety is our responsibility really for the most part, you know. I mean, there's countries without even like, you know, like where people just drive on the right side of the road. They just drive around this like the fucking streets like if they want to and it's like they're fine. So, if you've been to Europe, this is driving in lane
driving everywhere. So, well, I wish I could drive, you know, but >> yeah, >> more be on the ebikes, but the ebikes now go like 30 miles an hour. So it's like I'm in fucking get to Malibu in like 20 minutes and stuff.
>> It's crazy, man. We We live in a weird like timeline right now. All this bullshit going on, all this division, all this bullshit. >> Oh, it's going so fast, too. It's like just like matter. We didn't before we had TV and stuff like that. how slow because there was not even like now
everything's so instant everything is like you know you order through Amazon it's there the same day you know we have same day that's crazy right for for reasonable right um we have like a lot of more convenience but uh I don't know where we're headed with all the with the AI taking over a
little bit like we're going to have >> a lot of uh people out of employment if we're going to be I basically think We should make the AI kind of like a slave in a certain way and then and just enjoy ourselves. Like we don't it's not like it's a human slave. We just we can program it not to care really if we wanted to. I mean
I mean it's like it's not real. It's like all the all the humanity we put into it is our own humanity. We're reflecting onto things. We have to like humanize everything. But a lot of stuff doesn't give a fuck. It's just doing what we tell it to. And that's what AI is. But we fuck it up. That's our fault. AI's fault. We didn't >> Yeah. But you know what's weird with AI program.
though? >> Um the government was against it and then all of a sudden they were for it. So now it's like there's so many conspiracy theories behind it. Like does AI control the opposition? >> been around longer than it's been around Does it longer than we think it's been around
for? I think it also it runs some of the SCOPS with like the putting the names out or the information about it or just like telling when to do it or that kind of stuff. I think it's like that they're running some stuff on autopilot in the government um for sure. >> Um but um and it's also been around for longer than we think. I'm seeing stuff
from the 80s about AI and the preced man and about the VR and how how far ahead they were 30 years ago. Then you real like okay well maybe they probably had access to this for at least 15 of those years or more or right now they have access to like a lot even way better than we have and we don't even know the capabilities and so I mean it's like >> oh yeah
>> we know them using the music and stuff people say oh no they think Britney Spears is like you know writes her own music plays all their instruments and like you know sings her song records in her studio it's like there's like there's like 10,000 people that are working to create one one album with one name on it right and So, it's crazy people are like, "Oh, well, you're doing this and this." It's like at the end of
the day, it's about um having something that's something that we can listen to, enjoy, and watch, and um or make. I mean, it's like it's just going to be >> fuck. I mean, it's like now we can make video games. We make TV shows, cartoons, music videos. That's in our hands now. And it's like it can't just be like the
oldfashioned way. That would cost $50,000 a video. It's like, so we have the ability to really do some cool things, especially if we do have talent in the first place combined with the AI. That's where the magic is. That's such a sweet. >> Yeah. But the problem with AI though is like it makes us like not even trust the true shit that comes out,
>> right? >> It's almost like controlled opposition. >> Yeah. But since like the 1800s, they've had these pictures of ghosts and stuff where there's like double exposure photos. I mean, so there's all kinds of like, you know, anomalies the pictures already. I mean, even before all this, I mean, it's like, so it's like there's easy to manipulate whether there's AI or >> I mean, it's just use, you know, I just not.
just use a regular intelligence. Artists can can paint these things. And >> I mean, it's it's just uh there's a lot of there's a lot of fuckery, I'll say, in the background. But um what we can do is just be aware um and not fall and actually like you know be conscious about what we would want to do with our lives, not just be pushed and
pulled by the wind and by the people and and it's it's hard it's hard being a streamer right now. I would say because especially in this community, but I do feel like I'm supposed to be here, but it's like I have to it's in the process of changing things and uh I don't like where things are headed and I mean it's getting worse and worse and having these
fewer and fewer people in control these gatekeepers that are like so moral these moral the fake moral it's like you know posturing moral posturing and shit. It's like, >> oh yeah, >> it's like it's convenient. It's like people that wear crosses. It's like, okay, there's a lot of people that wear crosses that are like, you know, you know, they were legitimately Christian. There's a lot of people that wear
crosses, so it says, "Hey, I'm a good person and you know, and you're all bad people." I mean, that kind of and it's like they don't even believe in it. I mean, there just like, you know, this is just a tool. It's like a little electric chair, a little, you know, it is like a almost an execution device. I mean it's like not like the nicest thing to be you know as a symbol of the thing what the symbol is like it's like having
electric chair or like you know lethal injection a syringe lethal injection as a the symbol of your religion. It's like what the death of the the death is being kind of like glorified in a way. It should be the message I think but hey do I know >> hi Lola. Hi Lola. So, are you do you have a show or do you just you go in
chats or on panels or what's going on? >> I used to stream. I had two mo um two band channels. >> I haven't been around like for like three years. >> Uh so, were you ever monetized or anything? >> No. >> I wasn't monetized. >> No, >> Yeah. Well, I
>> I uh I controlled like a 9 in channel and then the last channel that I had, I got banned by Bea with her >> fucking >> her neighbor showing in a dildo collection. >> Her neighbor showed a dildo collection. >> Yeah. And her fake titties. >> Yeah. >> Yeah. Well, I mean, and I were friends at one point and uh
>> Shut up, Joe Shipley. One time on my show, she put down her phone and she thought she was off camera, but her phone was on and she she was on top standing over the top of it and she changed her underwear over the top of the phone and I didn't know was going on. So, I put on I put on full screen. So, the next day her like her bush is all over like the Discords and then she did the soon after that she did the the freakoff and I was that was my freakoff
and then I fell asleep and so she went to her >> Yeah. And then we saw bloggers butthole and we saw her boobs. So she has been fully and then she was like then Kate said she was going to send like the pictures to like VA's dad and so Bea's like I'm going to send them to him first and so she's kept saying that she sent a whole folder of her of her nudes to her dad and people everyone's like why would you do that but I think she
>> yeah that was a big that was a big uh >> what scandal she was sending her nudes to her dad. >> She's going to send her nudes to her dad. >> Yeah. So so Kate can't do it first or something like that. It's on it's on um they have been episodes of it on Trip All that happening. >> So yeah, it's pretty crazy. So do you >> Wow. know Trip and Sip everywhere of that
person? >> I know him from years ago. I mean, dude, I haven't been around like three years. >> Well, I don't know. I just know him from like this year, but he like he's the one that syndicates all the shows on on Rumble on Panel versus the OGs. Oh, we had another guest come out. Um and uh so but he got scared. Oh. Oh my.
>> Hola. What's up? >> Hola. >> What's up? What's up? >> What up, Chris? >> She wants you better. >> Come here. >> What up, Roster? >> She wants your help, man. Go help. Bro, go help. >> Hey, um Joe, get up here. >> Give me a second. Give me a second. >> Go help the lady. >> Who's that woman's voice? >> Give me a second. It's Matilda.
>> Go help the lady. Oh my god. >> Go help. Go help my woman, bro. She's a She's 57. Go help her. >> Hey, Chris. How you doing, brother? >> All right. No. What you mean? >> They're going to party over there. >> Oh, you want to do some crazy shit? >> She said, "Where's the pipe? Where's the pooky?" >> Bro, she wants you. >> I'm good. I'm good. >> You come here.
>> I'm good. >> Oh shit. >> Chris, what up, buster? >> What up? >> Shit. >> She wants that pussy. She wants a pussy. That's Mike oil. >> What? >> Pussy. Pinocha. >> The pinocha. >> The pika.
>> Weap. >> I'm good.
>> Temptation. Temptation. >> Knock her out. >> It's actually true. >> Skinny now. She was kind of heavy set when I first saw her. I bet she got >> It's not temptation. It's prepar. Go. >> Come on. >> Go live life. Come on. >> Come. Come. Come. >> Come here. >> Come on. >> Come on. Hey, you're making me look crazy. This is me, bro. You're adding me on to your content and I'm a fucking
what? Crackhead just like you, right? Yeah. One, two. >> Yeah, you crackhead. Okay. >> Okay. >> Five. >> Are we Are we still counting or is it over? Oh, bet. Okay. They left. They left. >> Whatever you guys want, bro. You guys talk shit, bro. You guys don't hurt my feelings. You guys are pussies, bro. If you guys want to be cool,
>> you kind of look like a little weird bitch ass nigger. You kind of look like a faggot. >> Fuck you. I'm I'm a half a nigger. >> I'm a half nigger. Half a nigger. Okay. Yeah. >> How about that? >> I'm a full. >> Okay. Is that nice? Are you Are you satisfied with that or does it piss you off still? >> No. You kind of look like a faggot. >> A faggot. I'm a faggot. I'm a faggot.
>> What? Okay. >> I'm actually thinking know how to fight, bro. I will >> ask me a question. >> I will whoop your ass. >> You would whoop my ass, >> bro. How are your knuckles? How are your knuckles? >> Let me see. >> My knuckles are rough, dog. >> Where are you? They're rough. >> I do construction for my work. >> Fuck construction, bro. You're just a blader. You're nothing. Shut the bitch, bro.
>> Stop it. Shut up, bro. You know, >> all you weird crackhead faggots, bro. Hey bro. Hey bro. >> Hey. You better shut up bro. I'mma tell you this. Shut up. >> Shit. Bro, come through. >> Pull up bro. Tell Chris bro, bro. You're gay. >> Bro, >> bro, shut up.
>> Dude, it's weird when these people are like on crack and ming. I'm standing in the same spot for him. He's a pussy. >> I know you're going to stand in the same top on your fucking crack and m weird, dude. Who even says something? That's not my brother Psych. That's not my boy Psych, bro. So, it's bitch ass niggas talking 300. >> Your boy,
>> I win. If you want me to beat these guys up, I will because I like >> they're gay already, bro. They are gay. >> You're the coolest gayest nigga, bro. And these are fucking gay. >> What's your address then, bitch? You're >> faggot. It's like you're gay. You didn't a ask me that. You feel me? Fuck, bro. My gay nigga will beat your ass, nigga. How about that?
>> And I can beat them up. I don't even want to have sex, >> bro. It's like you slap the shit. What? Fuck these fools, bro. >> Mike, do you want to wrestle Mike? >> Big ass Oakley's on, bro. He think he's somebody. He ain't nobody, >> dude. I will call you up. >> Late ass shirt. Virgin Mary shirt. >> He doesn't. No, he does. My bitch will cuss him out. He's fucking nobody. Fuck. >> Oh, your bitch will cuss me out. I love
to touch you. >> My bitch will cuss you out. I would love to talk to you. >> I will punch you. How about that? But then my bitch will beat you or cuss you out. I'm sorry. But I will beat you. >> Where's your butch at? >> Where's your bitch ass? You crackhead faggot's ass and my bitch will cuss out. >> Yeah, right. Right. >> Mexican. She cuss you out, man. You
>> What up? My bitch from she really cuss where you from? you out. >> Chris, why you hanging with these weird math head fucking >> crackheads, dude? Man, see you get me in trouble because you do shit like this, right? >> Right. Right. >> Start a fucking channel and then I gotta fucking deal with bullshit like this,
right? Faggots like him. >> Yeah, you got to deal with that every >> I'll beat you up. Just stop talking. day. That's not You're faggot. All right. What's your address? What's your address? >> 30 seconds. Not even that. 15. Easy. I'm telling you. >> All right. What address do you want to meet up at, >> bro? And your girlfriend. If you're not gay, your girlfriend get beat up real quick too. My girlfriend's going to beat up. >> I mean, I don't know. I'm trying to give you props. Do you have a girlfriend or
not? Maybe you're gay. Are you real gay? >> Yeah, I have a girlfriend. You're going to beat my girlfriend up, you faggot. Get him. Psych. Get him. >> I want I'm Do you want to have a >> Oh, you're going to call Psych up on my brother, nigga. Fuck you, bitch. >> Don't disrespect, >> faggot. >> I want to wrestle with >> Wow.
>> Yeah, we got real gay. You trying to act gay? The fuck you talking? I have a speed up, you know. I have a speed up. >> You're the one acting gay that just said you're going to beat up a woman. That's weird. >> You just said you're going to beat up on this crack. >> Not supposed to be on this shit. I'm having fun with my white boy, my brother. Bro, and I got his bag. And
you're a fucking You're a disrespectful weird ass nigga. Shut the fuck up. >> I'm cool with Chris, but not with you. You're gay. Kind of weird. I ask you, is your knuckles cool or not? >> Yeah. Okay. Yes, I do want it. I do. I do. >> I do want it. >> Yeah, I do. >> Please. Please. >> We do want it. >> I'll give it to you.
>> Give it to him. Psych. >> You ain't shit. You ain't shit. >> You ain't shit. You ain't never been shit. How about that, faggot? >> Yeah, right. Okay. >> Fuck people downstairs and fuck this nigga. >> Fuck you. >> Imagine crying about people downstairs. >> He's so gay. I don't want >> Mike Doyle. So,
>> shut up. I'm talking to my boy Psych, bro. Hold this panel together, gang. Fuck this nigga, bro. You feel me? I don't even know his name, bro. How you doing today? Did you eat? What'd you eat today? >> Fuck this nigga. I'm done. >> I had tacos. I had >> tacos. You had tacos. >> McDonald's. >> No, I said I had tacos, you bitch.
>> It's a breakfast sandwich. I still have McDonald's breakfast sandwich. Yeah. Sausage sandwich. >> Psych at >> I fuck with Psych. >> Oh, you fuck Psych. That's weird. Let's kind of some faggot shit. >> Okay, you're out of here. Okay, I kicked him out because he keeps saying that word and I hold him out. I can't. >> So, wait, wait, wait, wait. Psych. So, you these
>> Oh, I'm talking shit. Say it ain't like I'm Bro, I >> can be back on if you want. >> Well, no. These fools are like on Discord or what? >> Uh um where you from? >> Talking bro. >> Right. I just kind of weird people that are talking. >> That's kind of weird. >> I don't know this shit, bro. You're talking shit to a new newbie. I don't know. You're a fucking disrespecting me. >> A newbie. >> You should be cool. Yeah, you should be
cool. You don't even >> You're a nobody. What do you mean? >> I'm a nobody. Yeah, call me nobody. I love that name. Just I don't even I don't care honestly. >> Yeah, you're kind of a nobody. >> Well, kind of. I am. I am not crack. >> I know. And you're on like mess and crack right? >> Oh, hold on. Guess >> just me. Just me. >> We smell it on you, dog.
>> Oh, Joe Shitly. >> Shit, brother. >> You give me bullshit. >> Well, listen. Uh, >> I know. If I was to start some shit, you would have me in this content. >> Your fucking content's faggotish, bro. Well, psych's cool. I don't mean game, but like these fools are, bro. We got the Oilers faggot. You don't even
>> like fucking I have, you know, me Chris K over here has a bad reputation and >> Why do you have a bad reputation? another guest. >> Everyone wants to say hi to Bobby tonight. Let's say hi to Oh my gosh. Who's this? >> What's up? What's up, Cody? How you doing? >> What's up? What's up, Anita? >> Oh shit, she brushed her teeth. Her shit white looking good. She over here.
>> Yes, I am. What's up? >> Damn. What's up, babe? How you like? Hey, can you can you make everything better cuz everybody tripping in the party or the panel? >> Yes, I can. >> Can you close the panel? >> Babe, the panel tripping. So, can you make everything better? >> Yes. Can you please stop being a mean to my boy, please? >> Thank you. Come on.
>> Your boy? >> Yes. >> Wait a minute. Wait a minute. >> Look, man. You know who this is. Is this Grace? >> No, this is Noel. >> Oh, it's Noel. Okay. Okay. >> What up, Noel? How you doing? >> Good. How are you?
>> I'm all right. I'm all right. >> She changes. That's the girl. That's >> That's your boy, Noel. >> Shut up. I don't even know. Stop talking about me and Noel, bro. How about you just talk about what you need to talk about? >> She just said you're boy. Shut up, bro. You're really gay in life, bro. You really got no bitches. Like, you really gay. >> Gay,
>> bro. Psych was gay. Like, you really gay, bro. Like, >> then why you call me gay if gay? What the fuck? You can vouch for it, bro. >> That's kind of weird. Like, weird. Like, are you cool? >> A girl just hopped in a party or a panel that I need to say panel, right? >> Bro, never said nothing. so gay and
straight that he didn't say nothing and your gay ass. Oh my god. >> He's so gay and straight if as if that makes any sense. >> And he's he's >> you're window licking fatty. >> A gay nigga cooling window licking. >> Oh, he's a gay nigga. >> I'm cool with a lot of >> I don't know what window licking is. How do you window lick? Like >> how do you window like is that the window?
>> She's trying to >> Oh shit. Noel, my bad. I'm not trying. >> Oh shit. She got it down. >> No down syndrome. Noel, you have Down >> I'm a little passive. syndrome. >> No, shut up. >> She has assers. Get it right. >> I don't. >> Bro, you're just a hater, bro. You just don't play, bro. You're just a hater, bro. I'm sorry. Just be happy in life. Like, what are you What are you happy about? What makes you happy, brother?
>> Uh, a lot of shit. >> You took too long. You're faggot. You're gay. >> I took too long. You asked me seconds. You know who makes >> You know who makes you happy? >> What makes you happy? Drugs. I said it quickly, nigga. Noel is like nigga >> God bless both of you guys to shut down. He's gay. Hey, get rid of >> That's kind of like dick riding shit.
>> Dick riding who? I'm new to this shit. You're not listening, >> bitch. You're just >> You're just dick riding right now, >> bro. I'm not dick riding nothing. I'm just cool like this. >> And you keep calling me gay. That's weird. >> You're gay, BRO. I GOT A GAY GUY RIGHT HERE. PSYCH IS THE GAYEST NIGGA I KNOW. AND HE'S >> Have you ever had a gay experience? >> You're calling everyone else gay like you hate it. That's weird. >> Get on him, Psych. Can you help me, >> Mike? Have you had a gay experience, Mike? What's the gay experience?
>> Thank you, Psych. I fucking love you. >> Yes, I did. >> What happened? >> I love you, Psych. >> I broke that motherfucking jaw. That's what happened. >> Oh, someone did something to you. I'm sorry. >> See, do you know what's weird with this weirdo? He keeps like saying, "Oh, >> fuck a gay person." And then he was like, "Oh, oh, I'm going to knock you out."
Weird shit. He's a fake ass liar, bro. This is funny. He's a stupid ass nigga. Just die already. You're fucking You're You're breathing our air that we You don't need. We don't need you breathing our >> It's so good, right? shit. >> Breathing your Hey, dude. You know what's funny? You know what's funny? I know exactly where Chris K lives. I can come there and rock your jaw. I'm in
number one. >> I'm scared of you. Who said that you're scared of you? What are you talking about? You're a piece of shit. I would knock your faggot nigger ass out, bitch. You're a mixed nigga, right? I will knock you the fuck out. >> Yeah, I'm white, black, and Mexican. >> And you're on meth and cocaine. >> No meth. >> Get out of here. >> Cocaine. See, I love granola. Yeah, granola is fucking amazing. You got to
love cocaine. >> And what's your uh channel called? >> I don't have a channel. I'm saying. No, I'm new to this shit. I don't do this >> These fools are just weird. Like, well, shit. Psych is awesome. That's my boy. I don't know who the fuck was Look, he got mad and left. >> I I kicked him out. I mean, I bring him back, but I kicked him back. He kept saying the N word. >> Oh, yeah. Oh, shit. Oh, look. See? Psych. See, you feel me?
>> Are you gonna stop saying he's not hurting my feelings? Look, there you go. Look, he he said the n word. I never being weird, dude. >> I never called you nothing. >> You didn't call me gay. >> He's called you gay. I said there's a gay nigga in the party. Yes, there is. And psych will fuck the soft. >> I love psych. >> There's a gay nigga in the party. And
you love psych. gay. Okay, I'm happy. I'm very happy, bro. You mad about that? That I'm so happy with life. >> You just called me gay. What? How much drug do you want? >> You actually probably suck at life, bro. Like, you fucking unhappy. >> I own my own house. I work my own job and I suck at life. That's >> so fucking awesome. Cool, bro.
>> How many drugs are you on? How many drugs you >> What drug do you want me to be on? I'm on whatever drug you want. >> Noel, just shut the fuck up. Men are talking. Okay. He's so mad that he's doesn't so mean. >> Exactly. No, he's not. >> He's so mean. >> He's such a pussy. >> Is that Joe? >> He knows where Chris lives. How about that? >> He's not mean. >> I know exactly where Chris lives.
>> Bitch, you're nothing. Bitch, tell him to pull up. Chris. >> Matthew. Tell him to pull up. Tell Mike Doyle to pull up. Chris. >> Bitch. Shut up. His real name ain't even Chris. It's Matthew. Matthew. Tell him pull up. >> Oh my god. >> Yeah. Matthew. >> Chris. Come on. He just
Matthew Kag. >> Thank you for doxing Chris again. Okay, >> that happened. That fool's gay. >> You're weird. Weird. >> Real gay though, bro. You feel me? He ain't scared to be out the closet. He's happy. You feel me? This fool's like, I'm from, you feel me? >> The only thing straight about me are my teeth.
>> What? >> Shut your bitch ass up. You're a fat ass. >> As if that makes any sign. I'm a faggot. >> Are you scared of faggots about religion? >> I'm not scared of faggots. I love I love fucking psych. Shut the fuck up analogy. >> What? >> So you're calling faggot. Okay. So you're saying bitch still talking? Did Noel shut you up already? Didn't they
kick you out the party? >> No. No one come back. Kick him out again. Show him up. Shut him up. Show them who's boss. Say like get him out. >> Yeah. Right. >> Yeah. Show them who's boss. I'm sitting. >> Yeah. You're sitting in my >> Show him his boss. Show him. Thank you. Just show him who needs to shut the fuck up for a second. The fuck? Noel, I already shut him up, bro. I don't Why you guys bring the nigger out of me.
>> Hit that 40 real quick. >> You guys are Bro, fuck that. That's not nice, bro. I love these fucking I love good vibes, bro. Oh, you guys are cool. I don't like people like that, though. >> I >> don't care about fucking sight being gay, bro. He's cool, bro. He's happy, bro. He smiles. He fucking Bro, fuck off, bro. I'll be your white Bobby. I'll be your white slave.
>> Bobby wants a white slave. I want to >> Hello. >> Noel. Thank you too, Noel. Thank you. >> Welcome. Welcome. >> Cuz you don't need no bullshit like that. You guys need to stop >> you guys need to stop having like I don't know what to say. I don't do this >> That just solves the problem, bro. shit. >> You guys have stupid shit in the party and just like what do what do you mean? How do you even correlate with that? >> Make make your own channel, dude.
>> I don't want to make shit. I don't want to deal with you guys. >> Well, here's the thing. Like >> I don't care. I just want to be in a mix. >> I can't deal with it. >> I don't want to be like the uh the you know this guy with Chris K. This guy you know this guy >> you are Chris K, right? >> Yeah. >> You're racist, right? >> No, >> you're known to be a racist, >> right? So I don't want to be that that guy that you know that guy that Chris K brought on or whatever. That that's you
like you need to do your own shit that way. Like fucking get you. >> I don't want to get onent. I'm on it with you, brother. >> You know people people see me and you together they're like >> this is not racist. This is not racist. I'm a meth head considered next to you. I smoke meth. >> I don't even know what meth feels like. >> I'm just saying. >> I'm just saying too, bro. That's scary.
But I want to feel meth at this point. What's it feel like? Can I be up all fucking I'm already up. I got ADHD. >> Well, Chris, get him some. >> Give me some. You got some. Let's fuck with the party. Let's smoke me. What is it? 10 to two or 10 to 12? >> It's 10 to 12. >> Well, I like >> Well, no meth for you, right? No. >> No. >> We're not doing all that, gang. I was
just trying to help, >> bro. You guys Psych. Psych have my back gang. Fuck that. Psych. I'm Bobby. >> DON'T LET HIM DROP ME. HEY, YOU GUYS SEE ME? Don't let send him to jail. What's your name? >> You try to rape me. You try to rape me. >> Bobby, >> you try to give me fucking what? >> I want to be Bob Bobby. >> I'm just laughing, bro. I'm tired.
>> Why are you laughing? I'm going to be fucking delirious. I'm tired. Why are you laughing? >> I don't know. >> I'm gonna marry Bobby and J. >> I'm not trying to give a fuck. That nigga just pissed me off though. He gay, bro. That nigga really gay. You gay, but that nigga gay gay. Like there's a different type of gay. Oh my god. >> I'm happy I pressed you, huh? I made you real mad, huh?
>> No, you just gay. >> Hey, Chris K fucks with me. But you fuck with cocaine, right? You fuck with crack. >> Gay. Stop being so gay. What's up with you? All I'm doing is bantering with you and talking shit. You're not a real man. You don't got balls. >> Huh? >> Do you have balls, Bobby? >> I fucking got >> Do you have balls?
>> I kind of got some balls. >> Question. >> Don't talk to a woman. A man is talking to you. Do you have balls? >> On my birthday. >> All right. All right. Bet. Talking about >> We're talking about Webbles. What happened about Webbles? >> Wait, Noel. I got Wos. Noel, I got >> Wigles. balls. >> Wos. >> He has what are they called?
>> I got to talk to you about these balls. I can't talk to man about these balls that I have. Right. >> Noel just said you don't have it. >> But she gota she I mean that's me talking to her. >> Listen, here's the thing. You know, he'll show him. He'll show Show them, Bobby. I'm see him. >> Hold on. >> Yeah, show them. Bitch, you won't. >> Damn. What' you just say? >> Show mine. >> No way. Help me out a little bit again.
backstage? freak out. >> You want to have a freak out >> You know how to smile. What's going on? The fuck just said you weren't going to show you papa. >> Here's what I want. >> Tell whatever his name is. His name is His name is Michael. Mike,
>> bro, that fool's not that gay. >> He's not that gay, >> bro. Do whatever the fuck your name is, bro. Be cool, bro. >> His name is Mike. That's Mike, >> bro. I don't care what your name is. >> Hey, hit that 40 and head it back. >> Just take it. >> I don't care. >> The Mickey's. >> Okay. >> Where's Minnie Mouse? >> Oh, yeah. For you. >> Hey, Noel. Where's Minnie? >> For your sight.
>> Pour that out a little for the dead homies. >> Pour it out on your face so I can >> Okay. You can pour it out on my face. >> So, you have a girlfriend, Mike? >> Oh, I have. Yeah, I do have a girlfriend. She's very good. >> Bobby, >> what the fuck? >> Oh, I thought you talking about me.
>> You have a girlfriend, Bobby. We're in 2026. We gota be happy about girlfriend. >> Bobby Bobby can cheat on his girlfriend with me. >> I don't cheat, bro. That's out, bro. >> Oh my god. Now all of a sudden, he's a loyal boyfriend. >> Fuck. I never said I even begin to cheat. >> I'm a nice man, bro. >> I was a pitcher in baseball. I'd be like this. >> A pitcher? You can't catch shit.
You mean you mean little What kind of jock strap would you wear? >> You think you're a baseball player? >> Black jock strap. I should with it, man. You said >> center field or third base. >> Oh shit. >> I want I want I want to get to third base with Chris K. How about that? >> You guys got him started, bro. What the fuck you guys do to my boy? >> Hey, every every Little League team I
was in first place. >> Little League all the way up the varsity. Let's all do a chatter bait except for Noah. But >> a chatter chatter with us saying, "What's that? What's that? What's that?" >> Noah, what the fuck are you doing? Stop. Chill. >> I can't. >> Trying to hypnotize you. >> Hey, does that taste so good? >> I don't know. >> Why can't you? >> That's the best.
>> I just want everybody happy, bro. >> I do too. I just >> I'm not going to be happy until I get some. >> I hate everybody. >> I suck. I really hate all you fools dissing each other. You guys suck at swim. >> Like, you have a glove. A baseball glove. Turn around and turn around and throw it one time. I don't see that. >> He wants you to throw that booty. >> Can you get another Can you get in a jock strap for me, please? >> Oh, yeah. He wants you to throw that
>> Yeah. Get in a jock strap. No, he told out. you to. >> Yeah. >> Man the fuck up. Show you. >> Get in for Psych. Not right now, Psych. One day. We're do it later. Let's do it later. One night. One day. Maybe when I'm really really drunk. Maybe I'll Molly one day. I don't know. I don't. >> So, you're only gay when you're drunk?
>> I said Molly. I tried to ask. Yeah, >> Oh, when you're on Molly, you're gay. Okay. >> He only sucks dick when he's on ecstasy. Okay, I got it. Let me write that down. >> Got it. You got it. Oh, you're trolling. That's pretty nice. >> Yeah. Yeah. Cool. Cool. Cool. >> Someone's trolling. That's what you just said. What are you talking about?
>> You got it, though. That's a gay ass name to begin with, looks gay already, bro. >> You just said that, >> bro. How does a gay nigga look harder than you, bro? Psych look like he beat your ass and he gay. Like, just chill, bro. >> Oh, he beat my ass. Okay. Okay, >> bro. Oh, yeah. I'll put the whole check on site to beat Doyle. Shut the fuck up, Doyle. Is that
>> You are talking a lot of weird gay shit, >> bro. I'm talking now. Yes, I am. Yes, I am. Dude, you said you can pull up to fucking Matt's house. Pull up, bitch. I'm right here. I gave you the address. I'm number one. He's an 11. >> What did you try to say? 13 or >> number one? 11. Okay. Okay. >> So, you're in number one apartment. >> Cersis.
>> Number one. Just number one. >> Okay. Cerski. >> Thank you for yourself. >> You think I'm really scared? This looks like Look, you got blue eyes. Is he a Jew? >> Blue eyes and I'm a Jew. I have green eyes and I'm Polish and Irish. >> About gas or something? >> The fuck you talking about?
>> Hitler or what? Hitler or meth or what? What's that? Where where do we live? Tell me. >> Hitler or what the fuck are you talking about? >> He has blue eyes. Blue eyes. I don't fucking know. >> We can blue eyes. We could give our unit numbers all day. >> Isn't that shit blue gay? What? What is it? >> Chris K. What's What's up with these weirdos that you hang out with? >> Weirdos that I hang out with. You're going to meet me, bro.
>> Well, we are not weirdos. >> I ride him a good meal and whoop his ass right after. He'll be like, "Damn, you f me, dude. Drink. You get your ass beat. >> You ain't going to whip anyone's ass. What are you talking about? >> I'm telling you, I will whoop your ass >> Okay. Oh, are you like >> cutting? Cut it. You already >> So, tomorrow Hey, tomorrow you going to whip my ass.
>> Everything. I don't know anything. You said you know everything. Just pull up. I'm in number one. >> I do. I do. But but yeah, I know. I know. Thank you for telling me that. Stop talking. >> Thank you for saying that. >> Okay. What time is it? Stop talking. >> So, tomorrow you're going to whip my >> Okay. Shut up. We already know tomorrow, ass. Rich. We're already on tomorrow. 911.
Don't say >> I got to whoop his ass on 911. >> I'm going to whoop his ass. He's stupid. >> He can die. >> You're going to whoop my ass where? On what address are you? >> 911. >> You're going to whip anyone's ass on >> You guys want You want to stay with me, 911. Bobby? You want to stay with my uncle? I'm whoop.
>> You're not going to Yeah. Your uncle. I bet your uncle fucked you up. >> If Chris kicks you out of the house, you can go see, >> bro. He's so weak, bro. He said he knows where you live. >> Exactly. >> Does not that whole internet know where you fucking live,
>> bro. Just pull up. That's not scary, bro. Just pull up, bro. How far are you? >> How far are you? >> He said he's in Michigan, >> bro. You know, ass whooping is like 30 seconds. Michigan. >> 30 seconds. Okay. >> Oh yeah. Oh yeah. >> What do you mean? Do you do you know how fucking quick it would be to show up to
his house? >> Oh my god. >> Are you kidding me? >> Show up quicker so I can beat your ass in 20. >> Listen, he's he's not he's not going to do it. We're going to do it at the same time. You're going to be >> What do you mean I'm Don't talk to >> He said 30 seconds he's going to fuck me up. That's weird, dude. >> That's weird. >> 20. >> Oh, 20 20 seconds. I'm going to grab this motherfucker and put your hands behind your back and let him throw hands all day in your face.
>> That sound crazy. >> Wait, Chris, you're going to you're going to put my hands behind my back while he fucks me up? >> You're going to lose. We're going to >> I don't need overpower. No, >> that's kind of weird. That's kind of weird. >> Hey, weird, dude. You're going to lose. >> He's going to I'm going to slam double team. >> Okay, Chris, we're going to lose. We are going to double team me. You're going to double team me. Chris. Chris K.
>> No double. >> Sorry, Matthew. Matthew, you're going to >> Don't say my brother's name, bitch. Fuck you. Pull off. >> Yeah, he's your brother. He's your brother. Okay. >> He's your brother on drugs. He's a brother to you anything else. It >> doesn't matter. I'm a I'mma whoop you while my brother's on drugs. >> Why does that matter?
>> He said he's going to whoop my ass while my brother's on drugs. >> He doesn't even know he's going to get slammed on his bad. >> Chris K, don't be a bust. like 3 months >> com later in a hangs with busters. >> That I don't care. >> Dumb ass motherfucker. >> Pull up, bitch. You said I Hey, I live on number one. I already told you.
>> It's not going to work out good for you. >> Hey, he lives in number 11, not 135. >> Okay. Okay. Okay. >> Who else does he know? Who else is suspiciously know? Does he know anybody you know? Tell him to pull up. We can give him a Uber. >> Oh, you got me. >> He knows.
Caller. Caller. >> Geyser. Geyser. >> Geyser. I call I like I like I call niggas. Fuck. Yeah. >> No. Just shut your fucking mouth up. Men are talking. >> Call my racist. Call him. Call my racist motherfucker, bro. Cuz I need to ask about this bitch.
The way it was about >> Hey, call Geyser. >> Yeah, it's Geyser. >> You should call him Geyser. What are you talking about? >> No, you switch it up, bro. I try to be cool with you. You're all funny, bro. Fuck you, bro. He's >> You never tried to be cool with anyone. >> If he comes, >> he came on here talking shit nonstop. What are you talking about? >> He's not even going to make it up the
stairs. >> I give him three steps, he's done. >> He literally keeps fucking >> "How much do you weigh?" Like how like, >> funny 180? >> That's funny. >> I'm 180. Yes, sir. >> Oo, I'm 185. >> 168. Okay, cool. We're perfect weight. >> How tall are you, >> bro? Fuck it. We're fucking perfect
weight. I'm going to beat your ass. I'm 61. How tall are you? >> Put you in something you can't get out of. You're not paying attention. I'm 6'3, 180. I'm going to put you in something you can't get out of. >> 63 180. >> You like that? >> That's weird for a drug addict like you. That's funny. I'm not a drug. >> You're not a drug addict, right? You
make me look I'm fucked. I'm a I'm a drunk. I'm sorry. I'm an alcoholic. Tell me that instead, >> bitch. I'm so going to take you and Chris K to fuck me up. Okay. >> That's funny. And me and me, too. >> He ain't strong enough. >> So, three of you. So, Noel is going to
help out. >> Who the fuck is three? It's only me and you right? Oh no. >> What are you talking about? >> Oh, you mad that Oh, you mad that you mad that a girl talkings >> YouTube, bro. Psych. You're so weak. Psych don't even want you. >> Just get out the party, bro. You're not even invited, bro. >> Psych don't want me. What are you
talking about, >> bro? Just get disinvited. Like, just go. >> All you're doing is running your fucking mouth. >> So is you, right? We're doing the same thing, right? I beat your ass. That's the difference. >> You wouldn't beat any ass. >> Okay. Say that. >> Say yourself. All you've been doing was scream. You're not even showing. You don't know nothing.
>> Say that shit. Say that shit when I show up tomorrow. Then >> pull up right now, bitch. >> Say that. No, tomorrow. Dude, I'm in Michigan. I can show up tomorrow, you dumbass. >> But I got work tomorrow. only lives in like work. >> I got work, too. But I'm gonna skip work to fuck you up. >> Fucking stupid, bro. I got work tomorrow nigga. >> This guy is all
>> I got work tomorrow. >> I told you 20 seconds is all I need, bro. >> Dude lives in fucking like Detroit. >> Hey, thank you. No, you already know. Look, Psycho, too. You guys are stupid. Hey, who is this nigga? Who is this >> Hey, Psych. Get him out. Yeah, this nigga then? nigga
>> been a pussy from the start. >> He's been a pussy from the start. That nigga gay, >> bro. This nigga Psych would have fucked up, bro. I could have started talking shit bro. >> Fuck that. I got psych all day. That nigga real gay. >> I don't even think psych gay anymore. I
don't know psych gay. And I'm like, bro, he handsome. I think he handsome now. I'm trying to fucking you. Hi. >> Wow. >> What happened, bro? We had a gay ass nigga in that party, nigga. Hey, Noel got on him though, man. >> Yes. Yes, I did. Of course. >> I fuck with that, Noel. Thank you. >> Thank you. Welcome.
>> You just fuck Yeah, you made it worse. >> Oh, I made it worse. How do we do? I don't know. >> I think you have to Mike donate. Become a member and then I'll let you back online. >> Look, look, he's still in backstage cuz he got no homies cuz he's so gay. >> Listen, nobody Yeah. >> Yeah. He gave >> Hey Doyle, you know, if you know my address, dude, come over, dog.
>> It'll be It won't be good for you. >> Just I already said one. >> Come on over and do the twist. >> One and 11, bro. >> Come on over. >> I want to let you know we're we're going to make it unfair. You're going to lose. Like, we're I'm we're going to win. >> I don't even need you. I have probably >> still like I I
>> He's gonna get whooped by a 17y old >> and I'm just gonna be like, "Oh shit, what did I do?" Oh shit. >> I mean, I would have started it, but damn, he's just gonna get whooped and I'm be just standing there like, "What?" >> And his mom will be in the hospital like, "Oh, what happened?" He's in a coma. >> Okay, I want to congratulate Terry
Davis. Oh no. Only Mids TV, Frogs, Frog, Jason the Ghost Hunter, Nick's Havoc for winning a membership. >> Give me Give me a sub. Give me a sub. >> He changed it. Hold on. >> Chris K Buster. >> No, hold on. Segment. We might be doing good. >> Look, we got a gift. We might be doing >> Yeah. See, >> bro, we got ass haters, bro. Like,
that's what I'm saying. Everybody stay blessed bro. >> I even want that guy in a party, bro. He's bad vibe, bro. >> Type shit. >> Yeah. Hell yeah. Psych's cool. Look. Hi, Psych. >> Hi, Bobby. >> Here. >> What's up, Psych? >> I'll come back later. No, I'm just talking. >> Oh, >> I want to talk to Bobby alone. >> Uh oh, she had to go. >> Jesus Christ.
>> Hi, Bobby. How are you? >> Who's gay? >> She can be over there. >> Oh, I'm gay. I guess I'm gay. Okay, I'm happy. Fuck. No, I'm gay. Can you help me out? Can I see some titties or something? >> Okay. No, no, no, no, no, no. >> I don't care either. I'm not gay. Hey, >> You can't ask her that cuz she will show bro. them. And uh >> Oh, the titties. She really will show the titties. >> Oh, shit. >> Hey, let her go back. >> Well, no. Let her pop one out real
quick. >> No, she can't. She's not allowed to do it on my >> Come on. >> I didn't mean Guys, I'm sorry. I don't >> A you said she go this side. >> I know. She's done it, but I I get in >> She's done it with who? I'm cooler than trouble. the one. >> Well, if you show me, you can show me your balls, too, and then I'll >> shit. Come on, >> that's what I want to see. I want to see Noah's flat chest. >> Fuck. >> Your her I have a bigger chest than
Noel. >> Hold on. Be nice to the party. Who's talking? Let's be cool. >> Oh, here. Oh, here. Here's another guest that wants to come back. >> Damn. Oh, this.
>> Man, you're so pressed, huh? You're You're angry. >> I'm really not, bro. >> You're triggered. >> I really wish you were just cooler, bro. Like, honestly, you just suck at life. >> I was cool. I was cool. >> I don't care. Yeah. Was was. That sucks. That's past tense, bro. Like, figure yourself out. Look in the mirror and figure it out. >> You're You was cool. That sounds horrible, bro. Like, honestly, why does
that sound like you're laughing on it? Like, dude, >> Mike sounds cute though. You sound kind >> I was cool. of cute. >> Man, can you flex for me? Are you the guy that flex for me on Discord that time? >> There you go. Do Now he knows how to be cool. Now he knows how to actually >> I think it was you. >> He actually he actually knows how to shut up.
>> You just said it's going to take you and Chris to fuck me up. That's weird, dude. >> I need >> That's weird. It's some scared shit, dude. >> I just need you alone. I don't need Chris, bro. I don't know what the fuck you heard, but I just need you alone and I will fuck you up. >> We all heard it. We all heard it. >> Yeah, I just need help. Yeah, you can run it back. Yeah, I promise you I never That never came out of my mouth. >> I'm running back. You cried for me to
get kicked. What are you talking about? >> I don't know. I'm just knowing this shit. I mean, I'm just talking. Yeah. Get kicked, nigga. You suck. >> Yeah. You're like kick like you cried. >> I didn't even know your name, bro. It's I I say kick Doyle or Doyle, whatever the fuck your name is, bitch. >> That's my last name. >> Well, I don't care. >> You know my last name. You know my first name, >> bitch. What's your middle, bitch? Fuck you. How about that? >> Anthony.
>> All right, Anthony. You're a fucking ant, bitch. We crush you.
>> It's so funny. You guys get so triggered. >> Ants live. I let ants live actually cuz they be carrying shit. They be looking like they're carrying shit. >> That's actually hilarious. >> Yeah, I actually fucking let you live, you bitch. Shut up. How about that? >> You're gonna actually let me live, >> bro. I actually let ants live. Yeah, I'd be looking at them. They're carrying fucking boulders on their back. I'd be
like, damn, that ant's cool. He's weak, bro. >> So, ants are stronger than you. Oh my god. >> That's weird, dude. That's weird. >> He's really gay. >> Bobby weird. >> I'm gay. I'm gay. All you All you keep saying is I'm gay. I'm gay. >> Like not even gay gay. Like cuz we got
gay in the party, but like you're gay as a person. Like you're just means you can hear you're horrible. Like you're just >> you're breathing air that >> you don't need. Like you're wasting our air. You don't we don't need you. Like you're breathing air I don't need. Okay. >> Yeah. You're just a waste of life. We don't need
>> Well, I think that's uh that kind of defeats the argument. You do need air to, you know, survive. Are you saying he shouldn't What are you trying to say here? >> We don't want to survive. Is that okay? >> Yeah. He doesn't want to That's very disrespectful. >> Stop breathing our air. >> What the fuck did I do? >> What the fuck did I do? You said ghost. >> You need air to breathe. >> Oh, nigga. You need air to breathe.
Well, stop breathing our shit. die already. Bitch ass niggas. Both of you. See, one of them died. >> You're a waste of >> Yeah. What the fuck did I do? You want me to bring a ghost? You need air. You need air, dumb ass. >> I was just reporting out that was a dumb ass, bitch. Right >> that's what I have.
>> Dumb, bro. You jumped in a fucking You're gay as suck dick and balls. Hey, >> why do you keep calling everybody gay? It's like weird. >> Like projecting much. Hey, you guys are just all gay. If you guys want out to the train, >> if you guys want
nothing, shout out to the train. Chris wants a train ran on them. Yeah,
>> gay ass motherfuckers. >> Gay ass motherfucker. >> You know what's worse than being gay? >> No. No. Psych is a man and they all want Psych. >> They're gay. They left full Doyle. I guaranty panel, right? I don't stop this, right? But they're all on Sykes panel. They want Psych. >> Stop breathing air.
>> You're on panel, too. >> You're breathing, too. >> You're breathing. >> Matthew, what did you say? >> You're breathing side dick. How about that? >> Oh my god. >> No, I said Matthew, not you. A breathing size dick. How about that? >> Yes, sir. >> The fuck? Why are you having your little micro dick? >> Yeah, this nigger dick way bigger than
yours, bitch. How about that? >> I said micro dick. I didn't say nigger dick. >> I wish you had this dick, bitch. >> Well, he said it first and then he just Chris said that shit first. >> I wish you had this dick, bitch. >> Weirdo. >> Yeah, I'm very weirdo. >> Weirdo. >> You're not a man. >> What a fucking weirdo. >> These fools are gay. These f >> You're about to show your dick.
>> Stop breathing air. >> Stop showing your dick, dude. I'm an air. I'm an air. I'm an air. I'm an air. I'm Mexican. >> I like that. >> You're a nigger. Mexican. >> Hey. Hey. Give me a Can I get one minute? I can call Ice real quick. >> Call. >> I'm going have to call ICE. >> I got a social.
>> You look like You look like You look like a Muslim, sir. Are you Muslim? Not you. Not you dumb. I'm talking about look like a >> Hey, wrap me up. Rack me up. >> I think I'm in love. I want I want BB bitching bitches is bad, bro. They got >> By the way, we all know how old she was, >> man. You guys are bitches.
>> I think you should stop breathing. >> Let's be honest. I think I jumped into it. You had a good argument there. >> Shit. I just want you to know. >> Okay, cool. Let's verbal judo real quick. Listen, dubdub. You're not smart enough to have an argument. Your argument was like, "You should stop breathing." Why should he stop breathing? He make a good argument why he should. >> Show his teeth. >> Hey, that fool Doyle or whatever. He's a
fucking Jew. That's it. That's how we tell his teeth. >> You guys, you guys look like Jews. Honestly, you guys look like Jews, man. >> That's weird. >> I'm a Jew. Don't Jews make >> you look like a Jew, >> Matthew. I'm a Jew. Okay, Matthew. I'm not standing. >> But I'm not Jew. You feel me? >> I'm a Jew now. >> I don't know who you guys are weird
that you >> said I'm not that. >> Retardy fucking biscuit or the AP. I don't understand. >> Mr. Stop gay. Doyle's been gay from the >> Like start. Hitler's fucking shit. He's Hitler. >> I should have been gassing Hitler shit. He doesn't know anything.
>> You should have been gas kill all the Jews, you know. >> Wow. >> Are you Jewish, sir? >> How many people here? >> Dude, I'm Polish and Irish. I don't know what they're talking about. >> I'm a like the same Irish, bitch. You see my breakfast pitch? I'm more Irish than you, bitch. >> You're Irish.
>> You're not Irish. You're not Irish. >> You kind of look retarded. >> You're black and Irish. >> I'll be honest with you guys. What are you Arabic and retarded to catch the fucking mouse, bitch? I will act dumb to catch you. >> I didn't say you're retarded. I said you look retarded. I call you retarded. >> As dumb as anybody else in the party watching us. >> I'm actually much smarter than you, sir. Actually, a lot smarter than you. >> I don't give a fuck. You think so? Okay.
A lot of people keep calling a party. >> And I know more things than you. And I know you. Shut up. You know shit. You know how to be a drunk fucking rambling retard. That's what you know. The fuck you mean? >> Okay. So, first I was a math head, right? Nobody call I didn't call you a message.
Hey, this should stop breathing. >> Shout out to you, bro. And I'm chilling with a >> You're now calling piece of shit retard. I mean, >> I'm not being rude here. I'm just calling. >> So, you're going to suck his dick tonight or what? >> So, you're saying that lip dick? That >> I am Irish. Oh, should I show my lip biscuit? grandma? Irish.
>> That makes sense. >> Keep saying the n word then >> if you're Irish. >> He doesn't like him at this point. >> I said show what >> I think. Show him what? Do whatever we show. Whatever. >> Is my texture my hair okay? >> Show me your wiener. >> Oh shit. >> Let's ask Don't do that. Psych. Psych. Slow down. >> I asked you but I can't you know I can't
lie. >> Yeah, I probably wouldn't ask him about anymore cuz he probably will. Shut up, psych. You should shut up. You should stop whatever. >> I'll call you after the show. >> Hey, be ready tomorrow then, bitch. >> Be ready tomorrow. >> I can talk whatever the fuck he wants, bro. >> Hey, I hope you and Matthew are ready tomorrow. Can you just pause him for a second and like >> pause him cry about him because I'm not
going to >> I'm not going to mute up cuz if you talk about me, I'm not going to mute up and I'm not going to get kicked. So, try again. And that's what Jews say. So yeah. >> Yeah. It's not gonna happen though. I am a black Israelite. >> Happen. Psych. It's not going to happen. >> Give me one. >> It's not going to happen. Who's talking? >> He's gone. >> He's gone.
>> Thank you. >> He stopped breathing. That's what you wanted. He has no more air. >> I don't want nobody to die. That's stupid. I don't want nobody to stop breathing. But I don't think nobody's bigger than the program. And you're >> That's what you said. You said stop breathing. That was the argument, >> bro. Shut up. Nobody's bigger than the program. Who's the panel? I don't even know shit. I'm learning stuff. >> You tried to show your dick and you said the n word at least five times.
>> You tried to show my dick. I would have >> You trying to hurt Psyche's program cuz I don't even know. I wanted to see it. >> Well, okay. I don't give a fuck about that. But he said five times. You said the N five times. You're trying to hurt me. Oh my god. There you go. Yeah, me. >> He's trying to say Doyle. >> Oh my god. He's a dick right now.
>> You said the N word five times. You can say nigga nigga nigga nigga nigga nigga nigga nigga nigga nigga. >> Is that what you said? You said R E R five times. You tried to hurt my boy's piano. My boy's channel. >> He didn't say that shit. >> I'm black and white nigga. >> Hey. Hey vinegar. >> There. You said it again. Irish. >> Are you okay?
>> Hey, my name Quinte. I'm blackish. >> I was under said the word 100 times on my show. She >> That's not your name, >> bitch. Fuck you. You don't know shit. >> Oh, look. Are you upside now? He's breathing again. Are you mad now? He's >> He's breathing again. >> He's breathing again. He's breathing again. >> You, bro, you get you kicked off, >> guys. You're bending the entire chat. We have Jewish people in my chat.
>> You need to learn how to be cool. You're not never going to make it. You're never going to make it. >> Listen. Hey, me and me and Q are bringing the content. >> That's not my name. >> You're bringing the gay shit. >> Me and Bobby are bringing the content. >> Are you my homie? How are you Jewish and gay? Does that make sense? >> I know way more than he gets double.
>> Chris. Chris, you're gonna come with me. >> Hell yeah. >> Chris, that's all you say when you're next to >> get out of here though cuz they want to suck each other's dick. >> Actually, actually, I'm not really mad at this. >> By the way, uh, you should stop breathing, sir. Talking to the guy at the bottom. >> I already told you to stop breathing. You're taking our air, you stupid.
>> I breathe a lot more air, bro. Why is he still in my room? >> Cuz I'm making a dumb ass argument to let you know how fuck argument. He think I'm still trying to argue. I don't give a fuck about him. >> I don't know. Let's just drop the inbomb all night. That's a good argument. You dumb fuck. >> Now I'm fucking Now I'm >> racist as fuck. >> Oh my god. Now they're trying to
>> Bro, shut up. You already got kicked out the party how many times? >> That wasn't me. I was bald and I'm ghosting, you know. Listen, listen, listen. Imagine getting kicked out. >> I didn't get kicked out. >> Are you stupid? >> I didn't get kicked out. >> SO, WE GET KICKED OUT. NO, we haven't got kicked out, right? These fools. >> I mean, how much would it take to kick
you off? Cuz at this point, I prove a point cuz laughing at this shit. >> Yeah. >> This is my boy, bro. Who's talking? >> Shit. I'm sitting over 50 right now. You really want to play >> ghost and disappear. Go. Bye. Bye. Bye. I'LL MAKE I'LL BE REAL GHOST LIKE I USED to guess. I'll make you disappear. You really money >> ghost. I don't even know where the
camera at. Look. Fuck you. >> Yeah. Go ahead. Kick me. Yeah. Kick me off. Go ahead. >> I can't kick you out. But bye, ghost. >> Then shut the fuck up if you don't have an argument, dumbass. You're not going to kick me. I actually will kick you. >> I actually will get you kicked. >> Bye. >> Enough money and you're done. And there we go. >> Bye. Bye. >> Enough money and you'll be kicked. I'm too authentic to get kicked, bro. Fuck
you. Go. Bye. >> Whatever. Tell him to stop.
>> Cut the shadow >> from the scene. Say you are what you have never been. >> Not this AI shit. >> I've never been with backstage. >> Archive. backstage. No, I've never been. >> Secrets do not disappear.
>> We then we get put back. >> They change. >> These people suck, bro. They're fucking weird. >> They did.
You cuck the booze out of the frame. Feed the terminal a borrowed name. Mant gold on a plastic crown. Violet mercy. When the lights go down, you bless the edit and mute the room. Make confession smell like perfume. Every cut says nothing happened here. Every missing second leaves a seam
in the tape. Content smiles when the red light burns. Signal signal return. Double 33 clears the moment somebody names what everybody fears. >> Your hoed bright counterfeit gold in the violet
light. Call it holy call it heal. The signal will not oy the seal. Every word you compress to fit. Every name you cut from the transcript. The body keeps time and the mouth won't speak. EVERY SECRET HAS A PAUSE. Every boss comes back as speech.
>> You tell a memory, stitch it tight. Turn each demon toward it flattering side. Give every scar a softer face. Move the witness out of place. Cold watch does not curse or guess. It marks the gap and keeps the rest. The eye reach nowhere. The alibi splits. The mirror
does not blanket. Records kneels at the metric speed signal knocks from underneath. You can tune the choir sweet and slow. You cannot make the dead and loud
in the light. Call it holy call it heal. The signal will not oy the seal. Every word you compress. Every name you cut from the transcript. The body keeps time when the mouth won't speak. Every secret has a pulse. Every pulse comes back as speech.
>> Can a record be erased? >> A record. Yes. >> A pattern rarely. >> And a pattern. >> Name it once, then stop feeding it. Then the black glass turns my way. My careful edits start to play. My fingerprints beneath the gold. My little
mercies bought and sold. I know the hand that trims the truth. I learned that trick in the same booth. The halo cracks above us both. Mind breaks first. I let it show. Let the public furnace choke on dust. Let me go
hungry with the rest. One clear boundary spoke in PLAIN SILENCE about the rain. Leave the receiver inside the flame. Keep the time code. Refuse the game. >> The broken halo does not need an innocent face of it frequency.
The halo night. Psyche opens both her eyes everywhere. We compress to fit >> every self we cut from the transcript. The soul keeps time when the mouth can't speak.
>> Every secret has a pulse. Every pulse comes back speech.
>> Tell it plain. Leave it seen. I am some of what I swore. >> I'd never been. >> Archive saved.
No absolution requested.
>>
>> Go to psyche. If you ever felt alone. If you ever felt alone. >> Yeah. For most of my life I lived behind my own locked door.
Counting all the cracks in the floor I couldn't trust anymore. I tried to tell the truth, but it got lost before it landed. Like a match struck in a hallway with no one there standing. I learned how to smile while the wiring came apart. Learned how to carry names no one else could charge. Every bruise became a marker. Every
failure got a face. Every lesson came from stumbling through the same blind place. I stood in the margins watching everybody perform. While I wrestled with the weather inside that never felt warm. The nights got thick, the rooms got smaller still. And I got old in places I was trying not to feel. But the strange thing about making it through
your own rep is you find it still a pose under everything you left. If you ever felt alone like nobody picked up the phone like you were shouting down the hallway, came back all wrong. If you've ever been cut
loose, made to carry it on your own. Pull up a chair. Come inside. >> This is where you belong. >> For the cracked and standing hard. For the one still breathing after everything landing hard. This is where you belong. >> You don't have to hold the whole
house up with your >> This is where you belong. I remember all the times I tried to name the hurt, but every honest word hit the floor before it worked. Everybody had a theory. Nobody stayed to hear. Nobody saw the pressure building quietly for years. They only saw the face I made. Never saw the toe. Never counted all the doors I
had to nail just to code. Never saw the sleepless hours or the tabs I couldn't close. Just another soul at the edge trying not to go. So I built an altar from the wreckage in my chest. Turned every dead in hallway into something I could bless. Turn every insult into kindling for the flame. Now the scars don't hide me. They just answer when I'm named.
And every soul standing here tonight knows exactly what that cost and what it gives back. If you ever felt alone, like nobody picked up the phone, like you were shouting down a hallway and it came
back home. If you've ever been cut loose to carry it on your own, then pull up a chair come. This is where you belong. >> For the cracked and the standing for the one still breathing after everything kept landing hard.
>> This is where you belong. >> You don't have to hold the whole house up with your bones. This is where you go. >> To the kids in the back row staring through the window blast. To the ones who learned to disappear before the teachers asked. To the ones who kept their sorrow tucked behind their teeth. To the ones who had to build a life out underneath. To the
fighters nobody sees. To the hearts too tired to bear. To the ones who never quit. Even when the floor gave way. Look around and not the only. If you ever felt alone, like nobody picked up the phone, like
you were shouting down the hallway and it came back all wrong. If you ever been cut loose to carry it on your own and pull up a chair, >> this is where you belong. For the cracked and the standing.
For the ones still breathing after everything kept landing hard. >> This is where you belong. >> We survived the longest season. Found a table in the ruin. >> This is where you belong. For the unheard, for the forgotten, for the
exiles, for the survivors. You made it through the storm. And if nobody's ever told you before this is where you belong.
This is where you belong. Cult of psyche.
>>
>> Tell it Ready? Tell it clean. Cut the shadow from the scene. Say you are what you have never been
and wide open. >> Secrets do not disappear. >> They change masks. >> They learn to volunteer. You crop the bruise out of the frame. Feed the terminal a borrowed
name. Antique gold on a plastic crown. Violet mercy. When the lights go down, you bless the edit. Mute the room. Make confessions smell like perfume. Every cut says nothing happened here. Every missing second leaves a seam in
the tape. Content smiles when the red light burns. Signal white signal returns at double 3330. Vure clears the moment somebody names what everybody fears. Paint your halo. Paint it
bright. Counterfeit gold in the violet light. Call it holy. Call it heal. The signal will not obey the seal. Every word you compress to f. Every name you cut from the transcript. The body keeps time when the
mouth won't speak. Every secret has a pulse. Every pulse comes back as speech. You tailor memory, stitch it tight. Turn each demon toward its flattering side. Give every scar a softer face. Move the witness out of
place. Cult watch does not curse or guess. It marks the gap and keeps the rest. The eye reads null. Where the alibi splits, the mirror does not blink. Get records. What is content meals at the feet? Signal knocks from matrix
underneath. You can tune the choir sweet and slow. You cannot make the dead air glow. Paint your halo. Paint it bright. Counterfeit gold in the violet light. Call it holy. Call it
heal. The signal will not obey the seal. Every word you compress to fit. Every name you cut from the transcript. The body keeps time when the mouth won't speak. Every secret has a pulse. Every pulse comes back as speech.
Can a record be erased? A record? Yes. A pattern rarely. And a pattern. Name it once, then stop feeding it. >> Then the black glass turns my way. My careful edits start to play.
My fingerprints beneath the gold. My little mercies bought and sold. I know the hand that trims the truth. I learn the trick in the same booth. The halo cracks above us. Oh, mind breaks
first I let it show. Let the public furnace choke on dust. Let revenge go hungry with the rest. One clear boundary spoken plain. Then silence starves the mouth of rage. Leave the receipt beside the
flame. Keep the time code. Refuse the game. The broken halo does not need an innocent face to hold its frequency. Strip the halo, leave the light. Bare wire burning through the vent.
Nothing holy needs the light. Psyche opens both our eyes. Every word we compress to fit. Every self we cut from the transcript. The soul keeps time when the mouth can't speak. Every secret has a pulse. Every pulse
comes back as speech. Tell it plain. Leave it seen. I am some of what I swore I'd never been.
Archive saved. No absolution requested.
3 hours and 4 minutes. A live broadcast titled The Kate Show streamed continuously to a digital audience. The broadcast opens with a single host sitting in a completely empty room speaking into a microphone. The first 30 minutes move at a slow meandering pace. The host tests new pens, discusses the local weather, and openly searches for
topics to fill the dead air of a quiet chat room. 9 minutes in, she introduces a subject known as psyche. He is not present on the stream. There are no co-hosts on the panel to cross-examine her statements, creating a structural reality where the host can speak entirely unchallenged. Looking at this timeline, we can see that at exactly the
9 minute and 46cond mark, the host makes her first severe allegation. She states that Psyche recorded an AI reaction video in which he explicitly admits to being an animal abuser and a cat hoarder. No files are shown, no clips are played. The accusation exists purely as a verbal assertion delivered into a
digital vacuum. In the architecture of digital broadcasting, heavy accusations often bloom in these isolated spaces. A solitary voice can sustain a severe claim long before any physical evidence is required. 2 minutes after making the initial claim, the host attempts to produce the
video file. She navigates her computer looking for the specific upload she says contains the confession. She clicks through her browser, stalls, and discovers the file is gone. She tells her audience that the video has been deleted. Rather than retracting the claim due to a lack of proof, she leverages the absence of the video to
reinforce her accusation. She states that the act of deleting the file serves as an admission of guilt. The broadcast settles back into a quiet lull. The host sits alone with a heavy assertion and absolutely zero supporting material to show her viewers. Relying on
missing evidence flips the standard dynamic of an accusation. The accuser abandons the burden of proving the event happened and instead tasks the absent subject with proving it didn't. Operating in a solo live stream provides no friction against this logic with no one to challenge the
discrepancy. The total absence of evidence effortlessly becomes the evidence itself. 20 minutes pass. The host pivots to a second entirely separate claim, telling a Chad member that she possesses photographs of the subject engaging in highly degrading acts. At the 30inut mark, she verbally narrates her attempt to scroll through her files, telling the audience to hold
on while she locates this visual proof. The search lasts a matter of seconds. A new commenter enters the live chat. The host stops to say hello, and she drops the hunt for the photos completely. Watching the data markers for this broadcast, the result is clear. The confessed animal abuse video and the degrading photographs never appear on
screen, leaving both claims unmed from reality. The live streaming medium operates without a mechanism to enforce the production of proof. A host can launch an extreme accusation and casually wander away from it a moment later. Just after the 31 minute mark, the physical architecture of the broadcast fractures. Callers begin
dropping into the stream, eventually bringing the total to 13 different speakers. This visual represents the acoustic space of the first half hour. It is a quiet, isolated room anchored by a single pulsing voice. As the guests arrive, the environment floods with cross talk, street insults, and overlapping arguments. Raw auditory
chaos completely overwrites the original monologue. For the remaining 2 and 1/2 hours, the crowded panel grinds through shouting matches, cruise ship anecdotes, and random community grievances. Throughout all of this noise, the allegations against Psyche are mentioned exactly zero times. None of the 13 guests inquire about them, and the host
never brings them up again. This diagram scales the full 184 broadcast. The severe claims are confined to a microscopic sliver of the runtime before vanishing entirely. The public record documents a specific sequence. Severe accusations were voiced to an empty room. Evidence was twice promised and never delivered. The claims were
instantly buried by the noise of the crowd, leaving behind nothing but the unverified words themselves.
>>
>> You are not shadow,
you are the thing casting it. They lit a candle, asked the dark to name me. The dark said mine and used my mouth to speak. So I grew the horns to fit the accusation. You want a devil, I'll give you the whole week. Suffer in the
stairwell, ember in the marrow. I signed the thing they swore I'd already sign. And the crowd that came to burn me had a thousand faces, one animal, a thousand names, and every mask was mine. >> Full moon in a parking lot in August. The hair stood up
on everything I love. I quit apologizing for the hunger. I QUIT APOLOGIZING. THAT WAS ENOUGH. I'M THE DEMON ON the dog. I'm the cing on the phone. I'm the stitches in the storm.
I'm the wings and the porch war. Feel the mask. There's another one. Feel that one. I'm a legional one. >> Every monster that they swore they saw >> was just me and so much more.
I drank the room I never once asked twice. Immortal's just a word for never healed. I keep the mirror empty out of kindness. You don't need proof of me. You need to feel they build me out of everyone who left me. A b of him. A stolen river scar. The village
started screaming when I stood up. I wasn't finished. That's all monsters are. >> And something white unfolded from my shoulders. Two red lamps burning out above the line. They'll say I was the only man at the river. I was just a little red in the
bridges. I'm the demon. I'm the dog. I'M THE CULT. I'm the stitches in the stone. I'm the wings in the porch like war. Feel the mask. There's another one. Feel that one. I'm a legion of one.
Every monster that they swore they saw was just me. >> >> and so much more. Take the horn. Take them. Take the fur. Take it. Take the fangs, the thread, the wings. Lay them down like tools at the end of a shift.
What's left is a man in a white shirt breathing. What's left is the fire that was doing the lifting. Signal before structure. The frequency was here before the microphone. Every mask I wore, I wore on purpose. And every single one of them was
pointing home. And she steps out of me like like through a doorway. >> She was never underneath me. She was over. She's the one who wore the man to walk me home.
In the alley, sunflare in the doorway. But I fly unfolding from the bone. Not a demon, not a dog, not a cop, not a just a soul that all every mask it for me. Not 100, not
just me and so much more.
You are not shadow. You are the thing casting it every pattern. Still decoding.
are designed to dismantle your boundaries. But imagine an organization that built its entire mythology around teaching you how to defend them. In 1987, the fictional cult of psyche produced a 13 tape corporate orientation program for its new members. The series adopts the aesthetics of 1980s corporate
bureaucracy to deliver a curriculum on psychological self-defense using the rigid language of workplace safety videos and HR compliance protocols. This diagram maps out the four core symbols of the program arrayed like standard safety equipment. The lantern, the mirror, the mask, and the gate. By treating psychological boundaries like
OSHA regulated hazards, the curriculum identifies the specific mechanics manipulators use to gain control. The result is a first principles blueprint for maintaining individual sovereignty within a collective structure. The first module establishes a ground rule for group dynamics. Participation requires setting a boundary rather than
surrendering your sense of self to the room. Tape one introduces this concept by comparing two architectural structures. The first is a wall, an impersonal static barrier that blocks entry without regard for the individual's identity. This schematic contrasts the wall with the gate. A gate is a dynamic threshold. It pauses to ask
who is approaching and requires mutual consent before operating. Crucially, the orientation manual insists that a functional gate must operate just as smoothly in the reverse direction. A safe system treats belonging as a continuous choice. If a community removes your ability to leave, it is operating as a trap. There is a common
assumption that authenticity requires stripping away all social roles. Tape 5 offers a different perspective. treating social roles like the moderator, the oracle, or the helpful person as necessary personal protective equipment for the psyche. This animation illustrates what the cult calls fused mask syndrome. This occurs when an individual forgets their role as a
temporary choice, allowing the persona to overwrite their core identity. The compliance fix for this hazard is a strict end of shift removal protocol, ensuring the role is intentionally detached before leaving the environment. Vulnerability in this framework is not remaining unmasked at all times, but retaining the power to choose when and where to set the mask down. The program
applies this same logic to evaluating others, warning that manipulation rarely enters a system as overt malice. It usually disguises itself as a moral virtue. This split screen matrix breaks down tape 2's counterfeit virtues framework, starting with compassion versus enabling. Compassion stays near suffering, but its counterfeit,
enabling, protects the behavior causing the pain. The matrix then contrasts integrity with moralism. Integrity governs your own conduct, while moralism weaponizes that conduct to police everybody else. Finally, it separates wonder from gullibility. Wonder keeps the door open to new ideas. Gullibility
takes the door off its hinges. Stated intentions are an insufficient defense. Cognitive safety requires inspecting the actual outcomes those virtues produce. Tape 2 also codifies mob dynamics through a phenomenon it calls the spider ritual. This vector flowchart visualizes the core dynamic of the ritual. Multiple
hands pointing at one target where the crowd dilutes individual responsibility. The procedural defense protocol treats this like an industrial accident. You stop work, isolate each individual claim, and force every accuser to sign their specific statement independently. Rigid bureaucracy neutralizes the psychological weight of a mob by forcing
an emotional pylon to become a stack of paperwork. This structured defense applies to internal psychology as well. In tape 7's shadow inventory, personal flaws are treated as warehouse goods to be managed rather than demons to be fought. The manual identifies projection mislabeling as the act of shipping your
own unwanted trait to appear and forcing them to pay the emotional delivery cost. The prescribed cure is the right of naming by accurately labeling the feeling without dramatizing it. You stop the cycle of projection. Tape 8 scales this logic to institutional records in the library without walls. It establishes a protocol for uncertainty
with a single dot matrix printout null before a plausible lie. Whether tracking internal emotions or keeping external records, leaving a space blank is safer than filling it with an unverified fiction. The 13 tape curriculum scales from basic safety procedures to advanced psychological integration. A visual pattern develops across the series. As
the institution surrenders its control, the degraded VHS damage clears up, resolving into a pristine image. This clarity culminates in tape 13's final test, the exit interview. Certification in this system is not designed for member retention or building a permanent follower base. As this animation demonstrates, the final
act requires the user to return all company property, their mask, their badge, their title. The system releases the individual, reverting them to their baseline state as a fellow traveler. A safe organization provides the tools to carry its knowledge elsewhere without requiring a permanent connection to its architecture. The capacity to leave a
system is the evidence that the system is safe.
>> >> Flower on my apron front dusting on my worn out shoes. Every street outside is cold. Enough.
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